Wednesday, December 21, 2016
Friday, November 25, 2016
Strong & Sassy She
The damsel in distress may have been in fashion in the Arthurian lore we heard as bedtime stories but when I think of the times we grew up in, she was a figure to be laughed over and at best pitied if we were in a kinder mood. I don’t remember dreaming of a brave knight in shining armor on a white horse riding out to rescue me if I found myself in trouble. Ever. When it came to the dreaming we did, my friends and I, we rode the horse and we did the rescuing. While we did love folklore for its magic and mystery, the strange spells and curses, we were not like the weepy wimps in those tales, oh no, we were the brave ones. We were the warriors. And because that’s how we thought, we have a fondness for authors who can translate the way we see women into great stories. Mary Stewart is one such author.
The female lead (FL) in Stewart’s novels is fiery, passionate, and always game for adventure. She is courageous and has her head firmly on her shoulders. More often than not, when she jumps from the frying pan into the fire she does so with a fire extinguisher in hand. Is it surprising then that I grew up on a staple diet of her novels?
For the past few weeks, I have been re-reading my Mary Stewart collection and I felt I really had to share my favorite Stewart heroines. So, here they are. We start with Nicola Ferris from The Moonspinners who takes the number one spot. She can enchant you with tales of naiads or water nymphs (these magical creatures spin the moon down out of the sky so we get enough hours of darkness and then wash their spindles in the sea where the moonlight unravels into long ripples and wounds back into the moon). She can dress your wounds, protect you from sharpshooters, and stay in the fight so you are not left alone with the villains of the piece.
Next, comes Linda Martin from Nine Coaches Waiting who can make delicious dark chocolate for you and whisk you out in the middle of your night if your life is in danger. She can keep you safe in a forest, plan an escape so well it outwits all the chasers, and protect you from your murderous family. All this with little or no rest till she delivers you to safety.
Last, we have Lucy Waring from This Rough Magic who has a special bond with animals, can communicate with dolphins and even step in front of bullets to save them. She spouts Shakespeare, knows the finer nuances of his plays, and can hold her own in any discussion on the origins of The Tempest. More importantly, she can think on her feet and find her way home from the middle of nowhere. This too, at that crucial moment when the police, the villains and the entire cast are all in one room so no time is lost in putting the villain behind bars. Know anyone who can beat this?
Each is so different and yet so very similar. Each has a heart that is brave, a head that is wise, and an indomitable spirit. Each is a strong, sassy she.
Friday, October 21, 2016
Thursday, October 6, 2016
Ghastly Grandeur, Ghostly Games
Neil Gaiman has rightly said that 'Once upon a time' lives
forever. There is something about fairy tales that stays with us long after childhood is over. I am always game for a fairy tale retelling and this year
fuelled by a fellow book lover's fantasy fiction fixation, I have been reading more of them
than I would have otherwise. When I heard of a Bluebeard retelling set in pre-Civil war Mississippi,
I couldn’t wait to get my hands on it. Unlike the Sleeping Beauty, Cinderella,
and Beauty and the Beast spin-offs which are splattered all over the publishing
horizon, Goodreads has less than 20 books listed under Bluebeard retellings. Add to this, a morbid fascination for the creepiest
wife-slayer of all times and I was sold on reading Jane Nickerson’s debut
novel.
Image Source- Wikipedia |
Once upon a time there was a dirty old man who had a fetish
for red-headed girls. He kept marrying them and getting angry at them cos’ they wouldn’t
be his pet zombies. Then one day, the wheels of justice turned. A whip of a
girl with strands of bronze and gold, aided by ‘Sisters’, managed to
drive him to his deserving fate. As he lay, shocked and wounded, his only thought was he should have
left this one alone!
The plot of Strands of Bronze and Gold revolves around
seventeen year old Sophie Petheram who loses her father and immediately gains
an invitation from her Godfather Bernard Cressac to visit the magnificent
Wyndriven Abbey. Behind the grandeur of Cressac's home, though, lurk dark secrets that
threaten Sophie’s safety and maybe even her life. Will Sophie be able to look
beyond the ornate decorations, the lavish furnishings, and the luxurious living at the danger that resides in the abbey? Will she able to rise above the influence
of the much older and debonair Bernard? What secrets are buried in the
desecrated chapel? What happened to all the previous wives of Cressac? Can
Sophie unlock forbidden doors and dare to step inside to bring the truth to
light?
Beautifully written, the story of Sophie’s stay at the
ancient abbey enchanted me with its evocative descriptions of place, geography,
and atmosphere. Having read the fairy tale of Bluebeard as a child, it
was not suspense that kept me glued to the book but the language. The sentences
sinuously glided into my imagination and easily conjured up the vivid characters,
elusive phantoms, and historical setting. The writing style is perfectly suited
to gothic tales with supernatural overtones and derives its strength from a lush but accessible prose.
Having said that, the incredibly slow pace of the book does dispel the magic of
the writing, to an extent, as the frustration of nothing much happening in more than half the book gnaws at the pleasure of losing yourself in
the language.
Wyndriven Abbey is as much a character as the humans who
inhabit it. Transplanted, stone by stone, from England to Mississippi, it is a
300 year old abbey with history breathing through its very walls.
“The magnificence of the building whooshed at me like a
blast of icy wind. Wyndriven Abbey loomed in the center of spreading lawns and
gardens and terraces as though it had stood in that spot for centuries. It was
toothed with crenellations and spiky with pinnacles and spires and turrets, the
setting sun rosily staining the stone and lighting fires in a myriad of
mullioned windows.”
I longed to tour the abbey and discover the obscure fate of
its former residents.
Sophie is quite a silly girl for most of the book but does
redeem herself later with the courage, resolve, and fortitude she shows
when she sets out to seek justice for Cressac’s wives.
I see-sawed between
feeling extreme annoyance at her dense ostrich-with-head-in-the-sand behaviour
and forgiving her for her youth. I had to keep reminding myself she was a
sheltered, wildly imaginative, spoilt seventeen year old and not yet an adult.
Kudos to the author, however, for bringing a fresh, funny, and frank voice to
life so successfully, the impact of which is much greater due to the first
person narrative.
“In my imaginary meeting with M. de Cressac, I had worn a gown
of emerald green silk with jet beads embroidered in the skirt that clicked as I
walked. I could hear it. I could feel it- the weight of the beads. I looked
down. Surprise! Still ugly black bombazine. Never had I imagined I would meet
my guardian swathed in a fabric so dark and dull it swallowed the light of
every room.”
“In spite of my long-held belief that I was destined for
luxury, it was still hard to change the habits of a lifetime.”
Her curiosity is a welcome trait as we know early on that
her survival lies in not just finding out the truth but also escaping in time to
avoid a miserable future.
“I wished she hadn’t stopped. I loved knowing things.”
I found her impromptu 'imagining herself in love' with Cressac
and making ready excuses for his much objectionable behavior quite irritating
especially when she wears foreign outfits 'sparse of material' for him and also engages in talk of
underdrawers justifying the conversation as one of worldly sophistication. Why
would you want to accept lewd talk from a man old enough to be your
father?! I wanted to shake her into
realising she was making a fool of herself in her infatuation with Cressac and found myself completely agreeing with him when he berates her, towards the end, for her
blinkered vision.
“You are a naïve little goose, you know. At first it was
refreshing, but after a time it wearies.”
It’s not that odd things weren’t happening from the time she
stepped into the abbey, it’s just that she stubbornly refused to see them!
“Hints of this had
nagged me through the months, but I had squelched them before they ever came to
surface. How could any normal mind comprehend such evil?”
When I had finally given up on her, she rose like a phoenix
from the ashes and won my respect for deciding to expose Cressac’s reality.
“If I were called upon to be a brave person, I would be a
brave person.”
Bluebeard. Image Source- Wikipedia. |
Bernard Cressac, unlike Sophie, has no redeeming qualities
that could make me feel sorry for him at any point of time. You would think a person for whom marital co-existence (note that I stay away from using the word
bliss here, it would be too far-fetched a state for someone like him) has always been an elusive state (married 4 times!), he would leave well alone and resign to a solitary life. But
no, none of that stops him from looking for a yet another fifth wife! That he
does so in his teenage ward, though, was enough to make me taste bile. His treatment of his
former wives, and slaves on his plantation raised ickiness to a new level. Disgusting
vile reptile. I was hoping for and anticipating a nasty end for him with
inhuman relish. It was poetic justice that Sophie, whom he felt he was fated to
be with, lead him to what he deserved.
‘Bernard liked to say that fate had brought us together,
that I was “meant” to come to him. Perhaps, to this end, I was.’
Gordon Stone, a vicar, whom Sophie meets while walking in
the woods surrounding Wyndriven Abbey and promptly falls in love with, is a largely
absent character and I could not help but wish he had played a stronger role in
helping Sophie escape Bernard’s clutches.
“How could I have not known what was going on? How could I
have left you to fight alone?”
Exactly, Gordon! I needn’t say more.
Sophie’s family also left me wanting. As adult elder
siblings they should have been able to protect her better, and not banked on her
impending marriage to bail them out of their financial troubles. Sophie agreed
to marry Cressac only to save her family from financial ruin and it wasn’t
surprising to see her succumb to an emotional burden of this magnitude.
The story exposes, at a surface level, the harsh and cruel treatment meted out to slaves by plantation owners, their risky attempts to escape via the Underground Railroad, and the support accorded to them by those more feeling of their tormented existence.
The story exposes, at a surface level, the harsh and cruel treatment meted out to slaves by plantation owners, their risky attempts to escape via the Underground Railroad, and the support accorded to them by those more feeling of their tormented existence.
Recommended to all those who like mansion-dominated, gothic-flavored
fantasy fiction, Strands of Bronze and Gold is a welcome addition to dark fairy
tale retellings.
Thursday, September 29, 2016
Friday, September 9, 2016
Something's Brewing
Are there places where the past co-exists with the present,
where you get the feeling that if you just peered hard enough you would be able
to see through the curtain of time?
Glastonbury, in the Somerset county of England, is one such
place. Known also as the Isle of Avalon, it is reputed to be the burial place
of the mythical King Arthur and his Queen Guinevere. Legends swirl in the air
about the ruined Glastonbury Abbey, supposedly founded by none other than
Joseph of Arimathea, and destroyed by a great fire in the 1100s. It is also
home to that most mysterious of mounds, the Glastonbury Tor. Geological or
man-made, just a hill or a gateway to the Underworld? Debates and discussion
continue among the believers and the skeptics. Why would anyone not want to read a novel set in such a place?! A place shrouded in ancient magic and purported to be a portal to other worlds.
Glastonbury Abbey (Image Source: Wikipedia) |
Not always, though often enough, am drawn to read certain novels purely because of their setting. The place makes all the difference. And, if
perchance a gifted author has written a book in a desired setting then surely
that is a dream come true for most bibliophiles. Recently, I came across a book
set in Glastonbury which is the seventh in the Duncan Kincaid and Gemma James series. While
I cannot claim to have read the series, I can most definitely say if the books
are anything like ‘A Finer End’ then this crime-fiction series deserves its
popularity.
Jack Montfort, an architect, residing in his ancestral home
in Glastonbury, finds himself writing messages being conveyed to him by a dead
medieval monk Edward. For Jack, a practical man and not the list bit prone to
being fanciful, his involvement in automatic writing is something
completely out of the blue.
Although Jack, like
generations of his family, had grown up in the Tor’s shadow, he’s never given
any credence to all the mystical rubbish associated with it- nor to the myths
that described Glastonbury as some sort of cosmic mother lode.
Glastonbury Tor (Image Source: Wikipedia) |
Needless to say, this sudden bout of automatic writing worries him and spurs him to
inquire about the monk’s life. Seeking help from those who may have answers
leads to the formation of an informal study group with diverse participants
ranging from an Anglican female priest Winnie, to Faith, an unwed pregnant young
girl, a Church Scholar Simon Fitzstephen, student and part-time bookshop
assistant Nick Carlisle, and Garnet Todd, one of the followers of the Old Gods.
The participants in the group come together to try and decipher Edward’s
messages which are increasingly becoming urgent and hint at dangerous days to
come. What terrible things happened in the Abbey all those years ago? What is
it that Edward wants found? Why does he connect only with Jack?
Dion, the old calico
cat who ruled the rest of the brood with regal disdain, uncurled herself from
the flower pot and came to rub against Garnet’s ankles. “You sense it, too,
don’t you, old girl?” Garnet said softly, bending to stroke her. “Something’s
brewing.”
Once, long ago, she
had caught that scent in the air, once before she had felt that prickle of
foreboding, and the memory of the outcome filled her with dread.
Glastonbury had always
been a place of power, a pivot in the ancient battle between the light and the
dark. If that delicate balance were disturbed, Garnet knew, not even the
Goddess could foresee the consequences.
The Lady Chapel, Glastonbury Abbey (Image Source: Wikipedia) |
Before long, things take a serious turn with an attempted
murder followed by an actual murder. Jack calls his cousin Duncan, a detective
with Scotland Yard, and pleads for his assistance. The call for help finds
Duncan and his girlfriend Gemma spending the weekend in Glastonbury trying to unravel
this complicated knot that tangles supernatural darkness with the darkness of
the human heart. Why is someone killing members of the circle? Who, among these
seemingly benign group of people, is performing these dark deeds?
A mysterious chant, a surprising connection between myth and
practice, a lineage which goes farther back in history than Jack or Duncan
could have imagined, and relentless suspense kept me so thoroughly engrossed
that I only looked up from the pages of the book when I reached the end. A
sumptuous and completely satisfying single-sitting read!
My enjoyment of this book was, in no small part, due to
Deborah Crombie’s strong storytelling skills and her enviable talent to bring
historical places to life.
The sky was a perfect
robin’s-egg blue, the emerald grass sparkled with moisture from the night’s
rain, and the stone walls of the Abbey ruins shone golden in the morning sun.
She has a unique way of blending the eerie with the
ordinary, the past with the present, and the supernatural with normal everyday
life such that not only do different elements of the story seamlessly join
together to weave an interconnected whole but they do so without losing out on
any of the atmosphere that such stories demand.
There was the
sharpness to the air that matched the clarity of the magenta sky above the Tor,
and from somewhere she could have sworn she heard the faint thread of pipes.
She felt again the temporal dislocation that Glastonbury sometimes engendered,
as if the centuries had eased their boundaries and bled into one another.
Not one jarring note anywhere, not one stumble when we move
from a dead monk’s imploring on one hand to police procedurals on the other.
You would think it wouldn’t be easy to write a narrative that unites pagan
rituals, religious beliefs, and Grail myths with good old practical crime
solving by the police. But Crombie does this with a flair born out of
exceptional writing prowess and certainly makes it seem easy and natural; as if
that’s how stories are told. Aren’t they? Well, Ms. Crombie, that’s how they
should be told but not everyone writes the way you do!
Definitely recommended to those who enjoy highly atmospheric
rich multi-layered mysteries embedded with interesting bits of historical
events and populated with mostly likable characters who may just prove all your
assumptions wrong!
Saturday, July 30, 2016
The Adventure Continues.....
Katherine
Woodfine’s 'The Mystery of the Jewelled Moth' embroils
the fabulous foursome in their second adventure and builds a stronger
relationship between the four friends who are now willing to risk their safety
for each other. Like the first book in the series which I reviewed in my previous post, this too has a beautiful cover: a silver-embossed one this time! The story is sprinkled with more of the winsome illustrations that adorned the first book and peppered with quaint etiquette excerpts.
http://katherinewoodfine.co.uk/wp-content/uploads/2015/05/9781405276184_LoRes3_crop.jpg |
The
action takes place in the East End of London where young Mei resides in China Town.
She has grown up listening to her grandfather’s stories about the English rogue
who stole the Moonbeam Diamond from an ancient temple in China. Her family are
the guardians of the Diamond and her grandfather regrets not being able to
restore the diamond to its rightful place in the temple. Meanwhile, a lot of debutantes
are visiting Sinclair’s and among them is Veronica Whiteley, an heiress to nothing less than a diamond mine! She hires
Lilian and Sophie to find a stolen broach, the Jewelled Moth, gifted to her by
an ardent admirer.
Illustration from The
Mystery of the Jewelled Moth by Julia Sarda
|
When Mei, her brother Song, and our quartet of Lilian,
Sophie, Billy, and Joe cross paths, they resolve to find the missing broach only to find the Baron behind it all. The Baron retains his anonymity all through and while the second book does bring to light some astonishing connections
between him and Sophie, we are yet to discover his true identity. How is the Baron
connected to Sophie? Who is he? Will we ever find out? Not till late in the
series, am guessing.
Braveheart Sophie with her grace reminds me of a much-loved character
Sara Crewe from ‘A Little Princess’ who dealt with difficult circumstances in
a similar spirit. Lilian with her derring-do attitude is often a catalyst that
plunges the friends right in the thick of action. Aspiring detective Billy with his
knowledge of ciphers, code-breaking, and detection practices provides the voice
of reason. Joe has had the toughest time of all and yet struggles honorably to
rise above his fears and prove his commitment to his friends.
This new series- warm, humorous, and engrossing- with two dauntless Lady Detectives at the
helm ably supported by their clever and brave male companions in all they do, is truly a very pleasurable trip down memory
lane! Those long summer days spent embroiled in enthralling adventures and intriguing mysteries. I so need to know
who the Baron is! Can’t wait for Sophie and Lil’s next adventure which promises
to be out in early 2017.
Thursday, July 21, 2016
Fabulous Friends and Frightful Foes
Every once in a while I feel a strong urge to read the
kind of books I enjoyed as a child. Put it down to feeling burdened by
adulthood sometimes or the cosy nostalgia they arouse, I happily reach out for
these books knowing they can wield magic and instantly take me back to those
carefree childhood days with just the flip of a page. Those days of devouring
Nancy Drew mysteries and a multitude of Enid Blyton’s series with adventure,
picnics, and boarding schools blended into a captivating whole: the Famous Five,
Secret Seven, and suchlike.
When I heard of a new children’s author who promised a
roller-coaster ride into the world of steadfast friends out to solve perplexing
mysteries, I couldn’t resist humoring the inner child in me. And, I was not the
least bit disappointed! Katherine Woodfine’s debut novel ‘The Mystery of the Clockwork Sparrow’ is
a delightful romp through Edwardian London of the early 1900s and places the fabulous foursome (in this case) in the middle of exciting adventures with the
Sinclair’s Department Store as their common meeting ground. While fighting
dastardly villains, breaking codes, and relishing iced buns, the four friends
try to do ‘the right thing’.
In addition, the book has a beautiful cover: a
gold-embossed one dressed with quirky illustrations that infuse a lot of fun
and invite you to step inside an enchanting world. Just look at this adorable cover! Would you not want to hold the book in
your hands and trace the illustrations with your fingers?
Welcome to the Sinclair’s Department Store! Located in
Piccadilly and London’s largest shopping destination with over 100 departments,
this is a ‘unique modern emporium open to the world’. Explore 8 floors of
shopping goodies that can fulfil the desires of every mortal. Go beyond
shopping and lose yourself in the experience of unparalleled luxury, gourmet
dining, and exclusive lounges. After reading about this dream of a store, I couldn't help but wish for a Sinclair's where I live.
It is in this soon-to-be-opened haunt of London’s elite that
recently orphaned Sophie applies for a job and starts to work for the Millinery
department. Having lived a life in many ways similar to what her customers
enjoy, Sophie bravely adjusts to the change in fortune and with remarkable
resilience resolves to do her best as a shop girl. While working at Sinclair’s
she befriends mannequin (fashion model in today’s times) Lilian Rose and porter
Billy. She is also kind to vagrant Joe who is on the run from a dangerous gang
'Baron’s Boys' and is later provided shelter by Billy.
But soon things turn topsy-turvy when Sinclair’s is burgled
of precious jewellery and a unique gem-studded clockwork sparrow. Sophie is
placed under suspicion having entered the premises after closing time and is
soon fired. Sophie’s misfortune propels her friends to prove her innocence and thus is born the fabulous foursome! Sophie, Lilian, Billy, and Joe
unite to use their detective prowess and are soon chasing clues which lead them
to none other than the Baron. But who is the Baron? No one has seen him and no
one knows his real name. Will the four friends be able to prove Sophie's
innocence?
I thoroughly enjoyed joining Sophie and her friends as they
navigated their way to the truth while learning to be
responsible and astute, and much admired their loyalty to each other. I
have the second book lying in wait on my bedside table and am totally ready to embark on the next adventure in this light-hearted series, so adroitly laced with humor and lovingly
wrapped in kinship.
Tuesday, July 12, 2016
My Rights as a Reader!
“You can’t make someone read. Just like you can’t make them
fall in love, or dream.”
Books about books are my favorite type of books! You will know this if you go here and here. I have just
finished Daniel Pennac’s delightful book ‘The Rights of the Reader’ and am so mad at
myself for letting it remain in my TBR pile for years. A gift for having won a book
blog contest hosted by a friend some six years ago, it has lain quietly on my
bedside table waiting its turn.
I thank ‘whatever’ it was that made me finally pick it up as my lament for lost time will now be confined to these six years.
I thank ‘whatever’ it was that made me finally pick it up as my lament for lost time will now be confined to these six years.
In a friendly and warm conversational tone, Pennac invites
us to explore our love for reading and why for some of us it dies an early
death. First and foremost, reading is a choice. While some of us regard it as
sustenance for the soul, there are many who can do without reading and not feel
they are missing a thing. I may fall into the former category but I have plenty
of very special friends who fall in the latter and their being non-readers doesn’t
make me like them any less. Just as finding me with my nose in a book, almost
all the time, doesn’t make me any less acceptable to them.
In his absolutely adorable book, Pennac defends
the simple act of reading for pleasure. Reading not because we have to, but because
we want to. Each chapter rings a bell and I recognised so many truths that we
bury as we grow up and start reading more for a purpose
than for the sheer joy of it. Interspersed with quirky and fun illustrations by
Quentin Blake, flipping the pages of this book is unadulterated enjoyment and at the same time evokes meaningful introspection.
And, let’s not forget Pennac’s greatest gift of all- The
Rights of The Reader.
Source: Pinterest |
Here are My Rights as a Reader:
1.
The Right Not to Read
Reading doesn’t have to become a daily
habit. If I don’t feel like reading on a particular day, well I won’t. In fact,
I have often swung between 24 hour reading marathons and absolute abstinence
from books for at least 3 days. I read when I want and if I want.
2.
The Right to Skip
Just want to follow choice characters and
not go through pages on pages of descriptions about places, food, weather, and
clothes? Go ahead. No one is insisting that we read every page. I used to feel guilty about
doing this when I was younger but with age my preferences have found their groove and if I find some bits of a novel boring I just jump to
the part that excites me. Of course if I found large bits of a novel boring I
would just dump it which brings me to my next right.
3.
The Right Not to Read a Book
At times I start a book with great
anticipation and interest but as I go further into the story I just feel
burdened. The connection I thought would be built seems to have fizzled out even before it
can truly form. It’s time then to admit that the book was a mistake. However, I
never regret these mistakes for it is only by exploring many many authors, and
genres, and writing styles that I have been able to identify my preferences. Now
that I know my taste, the chances of DNFing a book have also lessened.
4.
The Right to Read it Again
Loved a book? Want to read it again? Well,
why not? Reading a favorite as many times as I want is a sure thing with
me. For that matter, I couldn’t tell you how many times I have read Pride and Prejudice
even if I wanted. I have simply lost count!
5.
The Right
to Read Anything
You like reading purely escapist thrillers but would rather say you prefer literary fiction. Why pretend? There are many
in this world who loved the ‘Twilight’ trilogy and devoured the ‘Fifty Shades
of Grey’ trilogy even if you didn’t. They have the right to read what they
want. The good part is so do you! While there are good novels and bad novels,
forcing yourself to stay away from the bad novels is just going to lure you to the forbidden
fruit. Alongside the burger, I take time to enjoy the Chef’s special. In time,
I hope, I may just find myself completely off junk food. If not, I do like
burgers quite a bit.
6.
The Right to Mistake a Book for Real Life
At times, I have over-identified with certain
characters and their circumstances and felt a book was totally written for me.
With passing years, this excitement of being swept away completely by a book has
mellowed down and I look back with amused fondness at my infatuation for some book which I
would not touch today with a barge pole. But reading it was fun then, and
remembering those days is fun now.
7.
The Right to Read Anywhere
I read while commuting to work, in airport
lounges, in flights, in trains, in cabs, while standing, while sitting, and at
times when I lay down for a while. I can even remember finishing a Stephen King novel while climbing the stairs! I read wherever I want and whenever I want.
8.
The Right to Dip In
I enjoy picking up books randomly from my
bookshelf and letting them open on any page. I may then read a sentence, or a
paragraph or sometimes the entire page. Often enough, I have flipped pages only
to whimsically stop at a certain page and just read what it says. If I am in
the middle of a breathing-down-my-neck project deadline and do not have the
time to drink a novel, I just sip on short stories or excerpts.
9.
The Right to Read Out Loud
As a child, I used to often read out loud
and vary my tone taking on the voice of different characters as the story
progressed. As an adult, I do not do this. Haven’t really wondered why or when
I stopped. But I do appreciate that I have the right to feel the emotions the
words convey and speak the words out loud as if the world of the book had come alive
for me.
10.
The Right
to Be Quiet
For some books that I read I find myself
unable to or do not wish to explain, review, discuss, or opine. A story may affect me too strongly and while I may ‘feel’ the meaning I may not really ‘know’
the meaning of what I read. For example, I always feel the need to be quiet after I
read any of Khalid Hosseini’s novels. And I have every right to keep my reasons
for reading a book, and my feelings about the book to myself if I so wish.
Tuesday, July 5, 2016
Nobody Quite Like The Book People
A.J. Fikry, the persnickety bookseller, in one of the most
charming books I have read recently, remarks on how difficult it is to write
about things we love. Which is why you will find this review going all
over the place and still not fully convey much of what I felt, inhaled, appreciated while
reading Gabrielle Zevin’s The Collected Works of A.J. Fikry.
We are not quite
novels……. We are not quite short stories…… In the end we are collected works…..He has read enough to know
there are no collections where each story is perfect. Some hits. Some misses.
Books can take us wherever we want to go. There are those that take us to exotic and amazing places on this planet and beyond: where we meet
adventure, excitement, and danger. And, then there are some that bring us home. No matter where I go seeking thrills, it is home where my soul nestles in belongingness. Reading ‘The Collected Works of A.J. Fikry’ is like coming home. Betwixt its pages, booklovers will share the lives of characters they can identify with, hear their thoughts, and spend time with those who will soon become their book best-friends. Also, books that talk about books and reading, or have anything to do with both, have a coveted place on my reading list.
A.J. Fikry is the central character and owner of a Victorian
purple cottage over which hangs the sign:
Island Books
No Man is an
Island. Every Book is a World.
Contrary to the signature statement of his bookstore, A.J. has become an island after losing his wife in
a road accident and isolating himself from his friends, relatives, and the
community. Into the life of this lonely man in his late-thirties, steps in 2
year old Maya, a baby girl abandoned in his bookstore. She comes with a note addressed to the bookstore owner that shares
the mother’s wish for her daughter to grow up ‘in a place with books and among
people who care about those kind of things’. Before he knows it A. J. has become
a ‘Daddy’!
He gets by with a little help from his friends: the soft-hearted tough cop Lambiase, writer Daniel Price, his sister-in-law and Daniel’s wife Ismay, and Amelia, the sales rep of a publishing company and later his lady love. How will life turn out for this eclectic bunch? Will they discover the truth behind Maya's abandonment? Will A.J. and Maya find happiness together? How well do we really know those whom we profess to know?
He gets by with a little help from his friends: the soft-hearted tough cop Lambiase, writer Daniel Price, his sister-in-law and Daniel’s wife Ismay, and Amelia, the sales rep of a publishing company and later his lady love. How will life turn out for this eclectic bunch? Will they discover the truth behind Maya's abandonment? Will A.J. and Maya find happiness together? How well do we really know those whom we profess to know?
A.J. is quite an oddball
who grows on you with time. I started with a slightly indifferent attitude towards
him and wasn’t very invested in his future or his 'Fikrisms' ; then slowly, unknowingly, without
any conscious effort on my part, I found myself looking forward to what he had
to say next.
“….my latter-day reaction speaks to the necessity of
encountering stories at precisely the right time in our lives. Remember, Maya:
the things we respond to at twenty are not necessarily the same things we will
respond to at forty and vice versa. This is true in books and also in life.”
“If something is good and universally acknowledged to be so,
this is not reason enough to dislike it.”
It didn’t take me long
to want him to come out of his shell and grab his chance of happiness with Amelia. His idiosyncrasies only added to my slow-in-building but sure fondness for him. He favours
short stories, has decided preferences in reading which govern what he
stocks at Island Books, and strongly dislikes apocalyptic settings,
post mortem narrators, magic realism, genre mash-ups, YA, and all things vampire! (I think it was the dislike for vampires which touched a chord: can't stand books with vampires either, excepting Dracula)
While I adored Maya, and learned to like A.J, it was
Lambiase, the cop and host of Chief’s Choice book club, who won my heart with his concern
for and acceptance of others. Amelia, who wears nail paint in accordance with her mood and always reads the whimsical names that the nail paint bottles carry for each shade, was a perfect partner for A.J. I was sad for Ismay at having to go through the
pain of infidelity but wanted her to take a stronger stand in defining her life
and make better choices. In this, she disappointed me for the majority of the
book. Daniel Price was a classic narcissist and I felt nothing but disgust for
his weak will, self-centredness, and womanizing ways. For a sedate tale, this
book arouses surprisingly strong emotions!
Populated with engaging characters, a quirky bookstore, and
a warm community, this book blends humor, philosophy, fate, and the
unpredictability of life into a delicious hot chocolate that slides down lovingly to reach your
soul while warming your heart, and leaves a lasting aftertaste.
In the tradition of The Guernsey Literary and Potato Peel Pie Society, and 84 Charing Cross Road (two of my all-time favorites), the book grips us not because of the plot (nothing twisty, or
chilling, or thrilling, or scary happens) or the pace (which chugs along at best) but for
that coveted element of genuine connection with other humans, the inclusion of which makes a
story special and memorable. The lyrical language and literary references to
books and writers adds greatly to its appeal and those with a love of reading will find much to treasure in this touching tale that shares complex conundrums disguised in simple words.
Before
I end the post, worded by none other than my favorite cop Lambiose, here’s a
toast to the book people!
“I’ve
seen movie people on vacation and I’ve seen music people and news people, too.
There isn’t nobody in the world like book people. It’s a business of gentlemen
and gentlewomen.”
Monday, June 27, 2016
The Detective Duo is Back!
In my
previous post, I had shared my thoughts on a new series I had started which pairs an Englishman with a Scot to solve highly unusual crimes.
To my utter delight, this detective duo birthed in the mind of author Oscar de Muriel is back in action with the second book in
the series: A Fever of the Blood. I liked the first book 'Strings of Murder' so much that I had to start the next book immediately!
The second book adds a layer of
complexity to the otherwise successful partnership between Frey and McGray.
With an inmate of the lunatic asylum on the run after poisoning a nurse, the
case is too close to home for McGray and this worries Frey who does not favor
his involvement in pursuing the killer. The killer was last seen in conversation with a
mute girl who hasn’t spoken in almost a decade
and this shocking development affects McGray, strongly and personally. In the
room of the killer are found traces of witchcraft. Soon, the duo find
themselves in Lancashire, infamous for the witch trials of the 1600s, on the
trail of a supposed mad man who is tracking women rumoured to be witches, with
unmatched brilliance.
Obsessed with following the killer,
McGray’s behaviour becomes increasingly erratic till Frey is left wondering
whether he has been bewitched. Frey finds himself in the unenviable position of
wondering how far and to what extent he can support McGray and where he should
draw the line. For it seems that McGray is lost to all reason.
How can a lunatic be so cold and
rational in his persecution of the women he thinks are witches? Why is he
pursuing them? What has a centuries old witch trial and a curse which was to
last 13 generations have to do with this case? Has McGray fallen under a spell?
Will this case cost McGray his mind or maybe even his life?
Two books down the lane, the
tenuous relationship between the Englishman and the Scot has firmed into a grudging
respect for each other. While I did wish for Frey to leave aside all
practicalities and follow McGray headlong into the witches’ lair at Cobden Hall
on Pendle Hill, I could not help but see the sense in his holding himself back.
Being a good friend is not about jumping to death together. Rather it takes
more courage to withdraw support and try to dissuade a person from taking
foolhardy decisions.
I sneaked in an author interview, sometime between the
two books, and happily know that with plans to have atleast nine books for
Nine-Nails McGray the chances of this emotionally tortured and impulsive man
taking his life anytime soon are quite remote. Whether he retains his sanity,
though, remains to be seen. On the other hand, I do long for Frey to do
something impulsive that would require thinking from the heart and not the
mind. Though, maybe as Caroline Ardglass tells him you need to love someone
beyond reason to be able to do so.
They
approached me, ready to put their plan into action, and I howled: 'Wait a
bloody second! Am I the only person in this room who believes murder and
torture ought to be punished?'
Caroline
looked at me with the most turbulent eyes. I had seen that expression before,
and it made me feel an awkwardness that was disturbingly familiar.
'No,'
she said, 'but you are the only person here who doesn't love someone.'
Never
in my life, had anybody's words wounded me so deeply, so swiftly.
In which case all I need to do is wait for him to fall
truly, madly, deeply in love.
If you are in the mood for crime-fiction with a distinct edge, you will not go wrong in giving the McGrey and Frey series a try!
Wednesday, June 15, 2016
The Devil and The Detectives
A new swoon-worthy detective duo is in town!
Awesome in solving crime and crazily adept at egging each other on with witty retorts, McGray and Frey, the delightful creations of Oscar de Muriel’s rich imagination keep the reader easily glued to their side as they race across locations trying to outsmart some fiendishly clever villains.
I have been wanting to start a new series or two this year and the McGray and Frey novels were already on my series wish-list. Pairing an Englishman with a Scot in the late 1800s, this exciting new series promises a rollicking time for whodunit aficionados.
Awesome in solving crime and crazily adept at egging each other on with witty retorts, McGray and Frey, the delightful creations of Oscar de Muriel’s rich imagination keep the reader easily glued to their side as they race across locations trying to outsmart some fiendishly clever villains.
I have been wanting to start a new series or two this year and the McGray and Frey novels were already on my series wish-list. Pairing an Englishman with a Scot in the late 1800s, this exciting new series promises a rollicking time for whodunit aficionados.
The pretty and pernickety Frey, unwillingly and grudgingly,
teams up with the unkempt and eccentric McGray to solve cases assigned to the
‘Commission for the Elucidation of Unsolved Cases Presumable Related to the Odd
and Ghostly’. Warning: Do not be taken in by the silly name of their
subdivision for their cases are anything but that. Frey did take it lightly and lived to regret the day. Their division's forte: solving mind-whirling
crimes that expose human cruelty (or would inhuman cruelty be more apt?) and
may or may not involve elements of the occult, black magic, witchcraft, and
other paranormal phenomena.
The first book in the series, The Strings of Murder, introduces the
detectives to each other and lays the foundation of a partnership that hints at growing
stronger but also increasingly complex over time. Jilted by his fiancée and nearly
out of a job, Frey is forced to move to Scotland in a last bid to get back into
the good books of the London CID. He arrives in Edinburgh looking for ‘Nine-Nails’
McGray with whom he is not just required to partner but also stay with till
alternative accommodation can be arranged.
'My name is Ian Frey. I am looking for Inspector Adolphus McGray.'
'Oh, Mr. Frey from London! O'course! We didnae expect ye so early, sir. I'm afraid Mr. McGray isn't at home now.'
'I suppose I can find him at City Chambers?'
The man shook his head. 'No, no, I'm afraid. Mr. McGray must be at the lunatic asylum as we speak.'
I lifted my eyebrows in surprise. 'Oh! Well, I really cannot say it surprises me. Do you know whether he is receiving proper care?'
Now I thank Heaven the butler's eyes were not daggers. 'Mr. McGray doesn't go as a patient! He's visiting someone.'
'My name is Ian Frey. I am looking for Inspector Adolphus McGray.'
'Oh, Mr. Frey from London! O'course! We didnae expect ye so early, sir. I'm afraid Mr. McGray isn't at home now.'
'I suppose I can find him at City Chambers?'
The man shook his head. 'No, no, I'm afraid. Mr. McGray must be at the lunatic asylum as we speak.'
I lifted my eyebrows in surprise. 'Oh! Well, I really cannot say it surprises me. Do you know whether he is receiving proper care?'
Now I thank Heaven the butler's eyes were not daggers. 'Mr. McGray doesn't go as a patient! He's visiting someone.'
Soon, Frey and McGray find themselves knee-deep in a spine-chilling murder case where the killer is targeting violin
virtuosos and tearing apart their guts, supposedly using them to make violin strings. At the heart of the gruesome killings is an old and infamous instrument,
the Amati 1626, rumoured to be cursed because the Devil himself had used it to play his
music.
Owned at various times in history by some of the most renowned music maestros, Paginni, Tartini, and finally Stradivari, it was on the Amati 1626 that the terrifyingly eerie ‘Devil’s Trill Sonata’ had been composed.
Tartini's Dream in which the Devil played the violin. Image Source:Wikipedia. |
Owned at various times in history by some of the most renowned music maestros, Paginni, Tartini, and finally Stradivari, it was on the Amati 1626 that the terrifyingly eerie ‘Devil’s Trill Sonata’ had been composed.
One string quivered like the broken voice of a terrified soul, while the other provided a low, anguished accompaniment that brought to mind Mrs Caroli's desperate wails. Altogether, the strings produced unimaginable echoes and harmonics- had I not seen it with my naked eyes, I would have sworn we were listening to an entire string quartet brought from Hell.
The soft voice of an old woman came to my memory:
'It was horrible music....like poking knives...fear itself must sound like that...'
And, all those killed had played this very violin.
Is the violin really cursed? Is a dangerously deranged human killer behind these gory deaths or has the Devil come to collect more souls? Will one of Frey’s dearest family members have to pay the price of this investigation?
Is the violin really cursed? Is a dangerously deranged human killer behind these gory deaths or has the Devil come to collect more souls? Will one of Frey’s dearest family members have to pay the price of this investigation?
With plenty of unexpected twists, amusing repartee, and
quite a bit of interesting trivia on violins and music composers, the story relentlessly races towards a gripping finale which left me thoroughly satisfied
but deeply saddened at the same time. More surprising and unbelievable than anything else is the cruelty humans often show against each other.
While Frey has his own charms, I have a slightly skewed
preference for McGray. Maybe it’s his tragic past or his loud unapologetic and
strong sense of self or his eccentricities that leave me with admiration for
this hardiest of souls who has seen too much in his young life and yet survived
to challenge fate.
Supporting characters such as the irascible Lady Ardglass (nicknamed Lady Glass due to her fondness for drinking) with her match-making attempts (Frey with her grand-daughter Caroline), the nice Dr. Clouston with his empathetic approach, and irreverent servants Joan and George with their crude conversations play an indispensable role in including a lighter vein to what would have otherwise been a deeply dark and disturbing novel.
Earliest Depiction of the Violin (1535) Image Source: Wikipedia |
Supporting characters such as the irascible Lady Ardglass (nicknamed Lady Glass due to her fondness for drinking) with her match-making attempts (Frey with her grand-daughter Caroline), the nice Dr. Clouston with his empathetic approach, and irreverent servants Joan and George with their crude conversations play an indispensable role in including a lighter vein to what would have otherwise been a deeply dark and disturbing novel.
Recommended to fans of brilliantly plotted detective
novels that leave you itching to know what happens next; the McGray and Frey
series has confidently established its place in the highly competitive world of
crime fiction.
Monday, June 6, 2016
My First Love
I bought my first Kindle about 5 years ago. It was
insta-love and I lost my heart as soon as I held that most glorious of all devices in my hands. I had acquired
not just another gadget but a dangerously addictive power: to possess any book I desired instantaneously
with a mere one-click buy. In the years that we have spent together, my Kindle
and I, my fervent passion for it has mellowed down to a deep affection. I still
carry it on my daily commute, when I am travelling, and even use it for my everyday
reading. In an interesting preference reversal, though, lately I have found myself gravitating toward buying more of print books.
In some ways, I have gone back to the reading habits of
my pre-Kindle days. Don’t get me wrong, I am crazy about the convenience my
Kindle offers: all my books wherever I go. It’s just that I have realized I
cannot forgo the experience of reading a Hardcover/Paperback. I need books. The
old-fashioned kind. Ones with a spine, and a cover that you can open, and pages
you can turn.
The other day, I met up with another bookaholic friend for lunch. She has recently bought a Kindle and as she talked about her
reading experience with stars in her eyes, I was reminded of
who I used to be. And I found myself explaining, as much for my sake as hers, why
e-books will always be second best for me.
So, here’s my unpoetic but heartfelt ode to print books:
1.
Charmed by the Cover
It
is not for nothing that so much money and effort is invested in coming up with
just the right cover for a book. How many times have I picked up a book
‘cos it had a gorgeous cover? Too many times to count. No e-inked black-grey cover
can come anywhere near the vibrant colors and the intimate feel of a cover on a
print book. The cover is the gateway to the magical experience of losing
ourselves in the story. It is the cover that says 'Open Sesame' and leads us in. I have often been mesmerized by book covers and
longingly traced my fingers over the photograph/illustration/artwork on it as
if the very act of connecting would let me enter ‘The Forgotten Garden’ or ‘The Lake House’
or ‘The Chamber of Secrets’.
2.
Fascinated by the Feel
I
like flipping pages, being able to move to previous pages without losing my current
place! There is certainly something to be said for a format if you can exercise
the flexibility of being in two places at the same time easily without having
to type in a location(s). I often do this: flip to earlier pages when the
murderer is announced in a mystery novel to identify the red herrings that
misled me or the clues I missed. And, I do this while staying on the page I have
reached. No ‘flip-the-page’ effect on an app or e-reader can provide the feel
of turning a page over and moving to the next.
There are also those pop-up books I adored
as a child. Open the book and out pops the castle, ready for you to step in and
wield the magic wand!
Let’s also not forget books which promise an immersive
experience such as ‘S’ by J.J. Abrams. Would you really want to read 'S' on an
e-reader?
3.
Seduced by the Size
In my college years, I had a soft corner for
big fat books. The more the pages, the more desirable the book. Of course, this
was selectively true. It held ground only for fiction and not those boring
tomes on Economics or Accountancy. Even though I may not have much time to read
lengthy novels these days, they still hold a powerful attraction for me: those huge convoluted
family/business sagas where betrayals and loyalty came from unexpected corners.
There is no fun in reading fat books on e-readers. Each book looks and feels
the same. One size fits all.
Lest you think am not
enthusiastic about my Kindle, let me reiterate that I am very fond of it and take it everywhere. However, print books have
something e-books cannot have. Individuality! They come in different shapes and
sizes, use different fonts and varied covers, and their pages can be snow-white
or ivory-cream or golden-beige. Each book has a unique identity. It is special.
Last but not the least, what they
say about not being able to forget your first love ever is true. My first love
was an Enid Blyton Hardcover with a colourful cover illustration, a friendly
font, and charming characters.
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